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Affairs of a Bibliomaniac >
Our
Debt to Monkish Men
from Love Affairs of a Bibliomaniac
by Eugene Field
Where one has the time and the money to
devote to the collection of missals and illuminated books, the
avocation must be a very delightful one. I never look upon a missal
or upon a bit of antique illumination that I do not invest that
object with a certain poetic romance, and I picture to myself long
lines of monkish men bending over their tasks, and applying
themselves with pious enthusiasm thereto. We should not flatter
ourselves that the enjoyment of the delights of bibliomania was
reserved to one time and generation; a greater than any of us lived
many centuries ago, and went his bibliomaniacal way, gathering
together treasures from every quarter, and diffusing every where a
veneration and love for books.
Richard de Bury was the king, if not the
father, of bibliomaniacs; his immortal work reveals to us that long
before the invention of printing men were tormented and enraptured by
those very same desires, envies, jealousies, greeds, enthusiasms, and
passions which possess and control bibliomaniacs at the present time.
That vanity was sometimes the controlling passion with the early
collectors is evidenced in a passage in Barclay's satire,
"The Ship of Fools"; there are the stanzas which apply so
neatly to certain people I know that sometimes I actually suspect
that Barclay's prophetic eye must have had these
nineteenth-century charlatans in view.
But yet I have them in great reverence
And honor, saving them from filth
and ordure
By often brushing and much diligence.
Full goodly bound in pleasant coverture
Of damask, satin, or else of velvet pure,
I keep them sure, fearing lest they
should be lost,
For in them is the cunning wherein I
me boast.
But if it fortune that any learned man
Within my house fall to disputation,
I draw the curtains to show my books them,
That they of my cunning should make probation;
I love not to fall into altercation,
And while they come, my books I turn
and wind,
For all is in them, and nothing in
my mind.
Richard de Bury had exceptional
opportunities for gratifying his bibliomaniac passions. He was
chancellor and treasurer of Edward III, and his official position
gained him access to public and private libraries and to the society
of literary men. Moreover, when it became known that he was fond of
such things, people from every quarter sent him and brought him old
books; it may be that they hoped in this wise to court his official
favor, or perhaps they were prompted by the less selfish motive of
gladdening the bibliomaniac soul.
"The flying fame of our love,"
says de Bury, "had already spread in all directions, and it was
reported not only that we had a longing desire for books, and
especially for old ones, but that any one could more easily obtain
our favors by quartos than by money. Wherefore, when supported by the
bounty of the aforesaid prince of worthy memory, we were enabled to
oppose or advance, to appoint or to discharge; crazy quartos and
tottering folios, precious however in our sight as in our affections,
flowed in most rapidly from the great and the small, instead of new
year's gifts and remunerations, and instead of presents and
jewels. Then the cabinets of the most noble monasteries were opened,
cases were unlocked, caskets were unclasped, and sleeping volumes
which had slumbered for long ages in their sepulchres were roused up,
and those that lay hid in dark places were overwhelmed with the rays
of a new light. Among these, as time served, we sat down more
voluptuously than the delicate physician could do amidst his stores
of aromatics, and where we found an object of love we found also an assuagement."
"If," says de Bury, "we
would have amassed cups of gold and silver, excellent horses, or no
mean sums of money, we could in those days have laid up abundance of
wealth for ourselves. But we regarded books, not pounds; and valued
codices more than florins, and preferred paltry pamphlets to pampered
palfreys. On tedious embassies and in perilous times, we carried
about with us that fondness for books which many waters could not extinguish."
And what books they were in those old days!
What tall folios! What stout quartos! How magnificent were the
bindings, wrought often in silver devices, sometimes in gold, and not
infrequently in silver and gold, with splendid jewels and precious
stones to add their value to that of the precious volume which they
adorned. The works of Justin, Seneca, Martial, Terence, and Claudian
were highly popular with the bibliophiles of early times; and the
writings of Ovid, Tully, Horace, Cato, Aristotle, Sallust,
Hippocrates, Macrobius, Augustine, Bede, Gregory, Origen, etc. But
for the veneration and love for books which the monks of the
mediaeval ages had, what would have been preserved to us of the
classics of the Greeks and the Romans?
The same auspicious fate that prompted
those bibliomaniacal monks to hide away manuscript treasures in the
cellars of their monasteries, inspired Poggio Bracciolini several
centuries later to hunt out and invade those sacred hiding-places,
and these quests were rewarded with finds whose value cannot be
overestimated. All that we have of the histories of Livy come to us
through Poggio's industry as a manuscript-hunter; this same
worthy found and brought away from different monasteries a perfect
copy of Quintilian, a Cicero's oration for Caecina, a complete
Tertullian, a Petronius Arbiter, and fifteen or twenty other classics
almost as valuable as those I have named. From German monasteries,
Poggio's friend, Nicolas of Treves, brought away twelve comedies
of Plautus and a fragment of Aulus Gellius.
Dear as their pagan books were to the
monkish collectors, it was upon their Bibles, their psalters, and
their other religious books that these mediaeval bibliomaniacs
expended their choicest art and their most loving care. St.
Cuthbert's "Gospels," preserved in the British Museum,
was written by Egfrith, a monk, circa 720; Aethelwald bound the book
in gold and precious stones, and Bilfrid, a hermit, illuminated it by
prefixing to each gospel a beautiful painting representing one of the
Evangelists, and a tessellated cross, executed in a most elaborate
manner. Bilfrid also illuminated the large capital letters at the
beginning of the gospels. This precious volume was still further
enriched by Aldred of Durham, who interlined it with a Saxon Gloss,
or version of the Latin text of St. Jerome.
"Of the exact pecuniary value of books
during the middle ages," says Merryweather, "we have no
means of judging. The few instances that have accidentally been
recorded are totally inadequate to enable us to form an opinion. The
extravagant estimate given by some as to the value of books in those
days is merely conjectural, as it necessarily must be when we
remember that the price was guided by the accuracy of the
transcription, the splendor of the binding (which was often gorgeous
to excess), and by the beauty and richness of the illuminations. Many
of the manuscripts of the middle ages are magnificent in the extreme;
sometimes inscribed in liquid gold on parchment of the richest
purple, and adorned with illuminations of exquisite workmanship."
With such a veneration and love for books
obtaining in the cloister and at the fireside, what pathos is
revealed to us in the supplication which invited God's blessing
upon the beloved tomes: "O Lord, send the virtue of thy Holy
Spirit upon these our books; that cleansing them from all earthly
things, by thy holy blessing, they may mercifully enlighten our
hearts and give us true understanding; and grant that by thy
teachings they may brightly preserve and make full an abundance of
good works according to thy will."
And what inspiration and cheer does every
book-lover find in the letter which that grand old bibliomaniac,
Alcuin, addressed to Charlemagne: "I, your Flaccus, according to
your admonitions and good will, administer to some in the house of
St. Martin the sweets of the Holy Scriptures; others I inebriate with
the study of ancient wisdom; and others I fill with the fruits of
grammatical lore. Many I seek to instruct in the order of the stars
which illuminate the glorious vault of heaven, so that they may be
made ornaments to the holy church of God and the court of your
imperial majesty; that the goodness of God and your kindness may not
be altogether unproductive of good. But in doing this I discover the
want of much, especially those exquisite books of scholastic learning
which I possessed in my own country, through the industry of my good
and most devout master, Egbert. I therefore entreat your Excellence
to permit me to send into Britain some of our youths to procure those
books which we so much desire, and thus transplant into France the
flowers of Britain, that they may fructify and perfume, not only the
garden at York, but also the Paradise of Tours, and that we may say
in the words of the song: 'Let my beloved come into his garden
and eat his pleasant fruit;' and to the young: 'Eat, O
friends; drink, yea, drink abundantly, O beloved;' or exhort in
the words of the prophet Isaiah: 'Every one that thirsteth to
come to the waters, and ye that have no money, come ye, buy and eat:
yea, come buy wine and milk, without money and without price.'"
I was meaning to have somewhat to say about
Alcuin, and had intended to pay my respects to Canute, Alfred, the
Abbot of St. Albans, the Archbishop of Salzburg, the Prior of Dover,
and other mediaeval worthies, when Judge Methuen came in and
interrupted the thread of my meditation. The Judge brings me some
verses done recently by a poet-friend of his, and he asks me to give
them a place in these memoirs as illustrating the vanity of human confidence.
One day I got a missive
Writ in a dainty hand,
Which made my manly bosom
With vanity expand.
'T was from a "young admirer"
Who asked me would I mind
Sending her "favorite poem"
"In autograph, and signed."
She craved the boon so sweetly
That I had been a churl
Had I repulsed the homage
Of this gentle, timid girl;
With bright illuminations
I decked the manuscript,
And in my choicest paints and inks
My brush and pen I dipt.
Indeed it had been tedious
But that a flattered smile
Played on my rugged features
And eased my toil the while.
I was assured my poem
Would fill her with delight---
I fancied she was pretty---
I knew that she was bright!
And for a spell thereafter
That unknown damsel's face
With its worshipful expression
Pursued me every place;
Meseemed to hear her whisper:
"O, thank you, gifted sir,
For the overwhelming honor
You so graciously confer!"
But a catalogue from Benjamin's
Disproves what things meseemed---
Dispels with savage certainty
The flattering dreams I dreamed;
For that poor "favorite poem,"
Done and signed in autograph,
Is listed in "Cheap Items"
At a dollar-and-a-half.
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